Sv-sound MTS-01 User Manual download pdf (Page 2)

GRAYSCALE

Before Calibration

SVS MTS speaker system

test reports

SVSOUND.COM :: 877-626-5623

scale and virtually without character in

the ever-sensitive vocal regions. (Lack of

character is a good thing for a speaker; not

so much for a speaker reviewer.)

When combined with the MTS-01’s

superb bass, which sounded pretty much

unfettered to nearly 30 Hz, this made for

an outstanding listening experience. Great

recordings, such as guitarist Ralph Town-

er’s classic Solstice, were reproduced with

an evenness of timbre and an image depth

rarely found in so affordable a speaker.

SVS’s spiffy tweeter really did shine on

the 12-string-guitar-and-drums duet “Pis-

cean Dance,” where drummer Jon Chris-

tensen’s stuttering snare and hi-hat and

ﬂoating ride cymbals shone with a nota-

bly unstressed, no-limit airiness.

While SVS had suggested that I cross

the towers over at 80 Hz to let the mas-

sive subwoofer do its thing, I found that

running them f ull-range and crossing

over the system’s center and surrounds

at 60 Hz delivered the best, most cohe-

sive sound, particularly on multichannel

music. And pretty glorious sound it was,

too, on a Telarc SACD of the Cincinnati

Symphony Orchestra playing Stravinsky’s

Firebird Suite. The system’s presentation

of massed strings and hall sound was

simply ﬁrst-rate, while brass attacks and

inner details like sidewall echoes from

the glockenspiel sounded consistently

clear and lifelike. Under it all, the PB13-

Ultra sub contributed seemingly limitless,

but controlled and unexaggerated, bottom

end. I’ve never heard the Cincinnati’s big

bass drum sound bigger, nor have I heard

its climaxes in unison with the tympani

during the “Infernal Dance” scene deliv-

ered with deeper impact.

Hidalgo isn’t a very good movie, but

it does offer well-photographed vistas

on Blu-ray Disc, a sweeping James New-

ton Howard musical score, and plenty

of action — once you get past the notion

of Aragorn as a cowboy. The SVS system

delivered wholly cinematic soundscapes,

with solid spatiality and effortless dynam-

ics; indeed, this system sounds better the

louder it plays. Dialogue was uniformly

clear and stable (though maybe not as

tightly locked to the screen as it would

be with the very best speaker systems),

while the L/C/R trio maintained a solid

front during the ﬁlm’s countless pans of

galloping hooves.

The MBS-01s — located in my usual

surround speaker position on high shelves

ﬂanking my listening position and angled

in somewhat toward the rear wall — per-

formed surprisingly well. I never once felt

my attention pulled away from the screen,

though my everyday dipoles clearly

sounded bigger and more amorphous,

which I feel is a virtue with most movie

soundtracks.

The PB13-Ultra was quite possibly the

best subwoofer I’ve ever had in my sys-

tem. It went lower and louder than any

single-piece sub I’ve tried here, and it did

so without producing a hint of excessive

sound on the middle-bass octaves from

60 Hz on up. Even without exploiting any

of its EQ features, the PB13-Ultra easily

awoke rattles in my room that only one

other sub (the JL Audio f112) has found.

And scenes such as the sliding tomb door

in the opening moments of the Stargate

DVD caused it to deliver truly structural

rumbles at cinematic levels.

As with the MTS speakers, the PB13-

Ultra has foam bungs for its three cabinet

ports. And it produces enough bass that I

found employing all three bungs to be an

ideal option in my room. Doing so barely

tightened the already well-controlled

sound, and even with its peak 3-Hz level

thus curtailed (a sealed enclosure returns

deeper extension but slightly less peak

loudness higher up the frequency range),

the SVS sub still could play substantially

louder than I could ever demand.

BOTTOM LINE

SVS’s MTS system, complemented by the

PB13-Ultra sub, is as impressive a music

system as it is a home theater one. Any

value-conscious audio seekers who care

more for performance than pedigree, and

for great sound more than mere style,

should look and listen no further.

S&V

Key Features

Test Bench

All measurements were taken with the tweeter-level

switch in the 0-dB position. The MTS-01 has a 5-dB

ﬂoor-bounce swallow centered at 244 Hz with fairly

signiﬁcant roughness above that point and a 3- to 5-

Surround ■■ 129 Hz to 16.7 kHz ±2.4 dB

Subwoofer ■■21 Hz to 59 Hz ±1.8 dB

L/R ■■34 Hz to 17.1 kHz ±5.1 dB

Center ■■33 Hz to 18.2 kHz ±6.1 dB

MTS-01 ($1,499 a pair)

:: 1-in soft-dome tweeter, two 6

⁄

-in cone

woofers; 41 x 13 x 10

in; 60 lb

MCS-01 ($599)

:: 1-in soft-dome tweeter, two 6

⁄

-in cone

woofers; 10 x 24 x 13

in; 39 lb

MBS-01 ($999 a pair)

:: 1-inch soft-dome tweeter, 6

⁄

-in cone

woofer; 16 x 13 x 10

in; 27 lb

PB13-Ultra ($1,599)

:: 13-in proprietary cone woofer; 750-watt

ampliﬁer; 22 x 20

⁄

x 28 in; 155 lb

Full lab results at soundandvisionmag.com/SVSMTS

dB elevation between 5 and 9

kHz. The MCS-01 displayed a

deep, narrow notch just above 3

kHz at every listening angle. But

this notch doesn’t become

severe until ±45º off-axis —

beyond the range of a typical

seating position for viewing mov-

ies. The MSB-01 surround chan-

nel has a wide radiation pattern

and the smoothest response of

this set. Each speaker’s treble-

control switch reduced high fre-

quencies above around 3 kHz by

approximately 2 dB. The PB13-

Ultra is a true subwoofer in that

it will produce signiﬁcant sound

pressure below 25 Hz. It also

has fantastic bandwidth unifor-

mity, producing a 103-dB aver-

age SPL over 10 to 62 Hz.

— Tom Nousaine

For more information about reprints from Sound & Vision, contact Wright’s Reprints at 877-652-5295.

50835

20 100 1k 10k 20k

hertz (Hz)

–5

–10

–15

decibels (dB)

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